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Monday, April 21, 2008

Success! (Live, From Planet Earth: Brooklyn #002)




The second Live From Planet Earth Brooklyn party was dope! However, like all things, I do think there is room for improvement. Here are some observations on the night.

A brother named Bless came in after hearing the music walking down Utica Ave and asked if he could run back to the crib and grab his keyboard so he could perform. After going home and grabbing his Casio, he blessed the mic with a song he's been working on at home. The performance was a bit rough around the edges but that's what the event is all about to me and him coming through was a refreshing manifestation of that intention.

The thing with our community is that we are a diverse people. And when you set out doing anything with the intention of bringing those diverse people together, it is going to be a challenge. You run the risk of being too Kum-Ba-Yah and alienting people who think that's corny, as well as being too "real" and alienating people who think that's unhealthy (Dave Chappelle has taught us that keeping it real can and does go wrong sometimes). The ideal, as with most things in life, is balance. And I think that's what we have to continue to aim for, above ANYTHING else. Hopefully, we can expand and attract more and more artistic people and people from the community who just want to have a good time.

Aaron Mingo came all the way from Philly and ripped his set. I've heard dude on Myspace but hearing his tracks live was crazy. Often times I hear music that is intended to make you feel good but often is just not good quality music. Aaron was in there merging the lines between classic hip hop and gospel and doing it in a way that was magnificent. KRS-One's Spiritual Minded album got nothing on Aaron.

Junauda killed em with some CRAZY delicious cookies. Electric Lady and Renee came through with some delicious tuna and veggie wraps. The popcorn was flowing again. BYOB was the policy this time around also, since The Stratosphere was denied a one day liquor permit. Whomp whomp. Call the NYPD and tell them we're a safe space! Eder Muniz (can someone tell me his website?) and Valerie Caesar's arwork had the space looking incredible with their respective visual art on the walls. Support them! Don Brodie and Danielle Scruggs have some photos from the event up on the Liberator flickr page at www.flickr.com/liberator. Ron Brodie and Tius Blak will both hopefully have some video of the event up soon as well, as both of them were roaming all night with their DV cams.

Tius Blak from The Blak Experiment, Messiah and Masauko all dropped respective jewels. Tius Blak kicking his set in Public Service Announcement style over a low volume soulful track. Messiah dropping the song of the night in my opinion, In The AM. The joint sent chills down my spine. And Masauko had the crowd chanting in unison and was accompanied by a sister performing interpretive dance to several of his songs.

After Masauko performed, DJ Don Cuco rocked the crowd for a dope set filled with latin funk, soul disco, and of course some Michael Jackson that got folks moving.

But after Don Cuco ripped it, the night turned a little awkward.

Let me provide some context: A sister named Meka (aka The Diva) asked to perform a dance to Aaliyah's More Than A Woman early in the night. The dance was cool, especially because the space was warming up still and people were still arriving. It was early in the night.

Now, later in the night there was a long interlude (a little too long) after DJ Don Cuco's set where attendees were invited up to share their talents with the crowd. I think this is a great element because it brings people closer and lets people market their talents and skills to an audience of people who are likely to want to connect with each other outside of the party.

BUT, taking a 30 minute interlude is a bad idea I think. Especially after people have just gotten into the dance mood. Instead, I think we should invite one person up after each performance. Spreading that out will prevent a big gap of time being spent on this and will enable us to avoid bringing the mood of the party down, right when it's getting nice.

After the long interlude, Meka came back on stage and danced again, this time to TLC's Diggin' On You. The crowd, especially some folks who had kids with them, looked very uncomfortable during her performance, due to its sexual nature.

In the future, I think we might consider not having dance be a part of the performance schedule. We should also save spontaneous musical performances for the beginning of the night and later in the night, rather than having them close together with the performers. Once the DJ starts the afterparty, we should do as little as possible to mess with the vibe the DJ is creating. Drawing out an agenda before the party is something we should be more intentional about as well. At the first party we were much better about that.

There were bright spots even during the awkward part of the night, when Nicholas Ryan Gant and Indigo both stepped onto the stage and dropped a song each. Indigo ripped an a'capella rhyme and Nicholas Ryan Gant performed a few songs off of his EP, Border Breaker.

The only other downside to the night was that the party ended early at around 1:45am instead of going until the planned ending of 3am. I definitely think if we want to keep folks coming out we're going to need to go to 3am. I think part of what makes it worthwhile for people to come out on a Saturday night is the fact that they know they are going to be able to have a space to dance and get their groove on later in the night. The free party is just as much of a draw as the free performances. In fact for some people, the free party is all they want to participate in, so we don't want to lose those folks.

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12 comments:

moe cipher said...

hey b & everybody else..

.

thanks for the detailed commentary.. I agree with where b identified low points in the night. I might be in the minority with this one, but I wasn't uncomfortable with the dance at the end for its sexual content. I do understand why the performance might be a bit much for a parent to
want their child to see, but I think my greatest uncomfortablity wasaround how underwelming the performance was from an artistic perspectic. If ya'll remember, the other sister that danced also
explored sexuality and relationships. yet the effect was markedly different. It felt like meka's joint went on forever and I could tell people felt uncomfortable for a whole host of reasons. so I began to feel uncomfortable and kinda embarassed for sis cause I could tell
it wasn't going over well. it was kinda like the voyueristic feeling of watching an american idol audition gone awry. but i'm still wondering how do we allow our community to express itself freely without hoisting resrtictive expectations on artists while enjoying ourselves.

how do we develop quality control without creating an environment that stymies artistic freedom. is banning dance really the answer? I know I don't want a bunch of people, including myself, to feel all weird like when meka did her thing but i'm afraid of overly confining prescriptions for what ails us. is their a middle ground we can strike? I don't have an answer ready but I do know as uncomfortable as I felt the
other night, I would also feel uncomfortable with a dance ban.

peace,

moe

Tasha said...
This post has been removed by the author.
Tasha said...

Reflecting is powerful for growth, so I like this a lot.

I totally agree with Brian and Moe about Meka’s performance. I think the awkwardness was more about the underwhelming nature of the dance than it was about the sexuality.

I enjoyed the few performances I caught, and agree with Brian that breaking up the artist introductions instead of having the ½ hour break would keep the flow flowing.

It is also important that we all try to bring friends to add to the flow and ask our friends to bring their friends. This will open up exposure tot eh magazine (which is one intention) and keep the community growing in a positive way. Plus, it will keep the feel more welcoming to people who don’t already know someone there. Since I did bring a friend, I saw how not knowing anyone in a room where everyone seems to know each other could be a put off. So opening up the group by bringing a friend and inviting them to bring their friends will bring the next one in a positive direction.

brian said...

@ tasha:
bringing friends to further expand the crowd is definitely a MUST. i don't know if u saw pics of the first joint, but there were many more people who i didn't know at that one.

@ moe:
maybe we can have a period earlier in the night for dance. i just think once people in the crowd actually get dancing, that's like the holy grail for a DJ... so interrupting a dancing crowd to watch someone else dance is not whats up!!! but if we kept dances earlier in the night even before the musical performances, i think that'd allow us to keep the space open but also fit it in a time slot that moves with the groove better.

Danielle said...

I also think next time you could give out copies of the magazine, even if they're older ones if the latest one hasn't been sent to the printer. Or even flyers, something for people to hold on to and show other friends and get people to come to future events.

The "dance" torward the end...erm...yeah. That was awkward. Very awkward. I wanted to cover the children's eyes and shield them from the mediocrity. You guys already know how mediocrity makes my teeth hurt.

Also....you MUST play B-More club. It's impossible not to dance to B-More club. A fistfight might break out too but, whatever. It's Brooklyn. :)

ElectricLadyLike said...

I love the Post-LIVE reflections! Let's get free! That's what I'M talking bout!!!! Definitely a testament to the spirit of community!
Okay...
so let's just put it this way.
I'm all for getting free with the movement. I think its like anything else though, you have to master your craft, you know?
As with American Idol, if one gets up there singing sitcom theme songs, folks are going to be like ERRRRR?!?!
(e.g. "Hanging in a CHOW line!")
So I think for a lot of folks,it didn't appear that Meka took HERSELF seriously, making it difficult for anyone else to.
I'm ALL for cultural expression whatvever that may be. If a Sister wanna duttywine, if she wanna belly dance, I'm cool with that! I think that's DOPE and definitely about the art (even on a headstand...thats hard work! lol!)
But I think when a person kind of gets up there and doesn't appear to be prepared, or doesn't seem like they even put a routine together, and then resorts to the tried-and-true moves (shaken the booty) it makes folks turn cynical. We like, "Alrighty Sis, you REALLY pushin it now!"
And I think we saw the difference in the other dance performance (cuz Jamie was focused about conveying a message, which is the magic behind dance). Jamie displayed a level of passion which complimented Masauko's lyrics: about love, intimacy, et cetera. THAT was amazing, THAT was dancing! THAT had soul.
Not that Meka ain't got soul, or passion, or whatever. It was just difficult to derive those elements because she didn't seem to be into it, to feel the movements or the words in the song.
"More Than a Woman" is one of my all-time favorite songs! Like, thats a serious song! And the choreography in the video (by the extraordinary Fatima) is ba-nay-nays! But as an audience member, I couldn't get that feeling from the performance.
And thats no disrespect to Meka especially because I know how hard it is to get in front of folks and start performing. I would encourage her to just get into it, put her foot in it so we can FEEL her.

Canela_NYC said...

I'm mad I missed this but thanks for the recap.

;-)

And yeah you need to go to 3am to have muggs trekking out to BK!! :-p

e.nebula said...

Dang B! This post makes me never want to go to a Live from Planet Earth Show again!

brian said...

@e.nebula:

definitely don't want to turn folks off. but at the same time, that second half of the night, was a turn off.

figure its better to admit when something don't flow, so those who experienced it don't think it's the norm, and so they know that we gon correct it.

check out those flickr pictures! they serve as evidence that the night was indeed dope, yet flawed in some ways. and that's okay. we just gon make it better.

Tasha said...

I think the 1st part of the post highlights the hot parts o the night. IT was dope. I wanna go again. But I think ignoring that elephant in the room (end of night awkwardness) would make people think we all cosigned on it.

Maybe we could do a new post where we all highlight our favorite thing about the night. Like a mini interview with like 10 people about why the party was hot and why we'll definitely go back next time. Good idea?

achali said...

If folks post their reviews here in the comments, I will create a post that contains everyone's positive feedback.

Tasha said...

Well, what I loved about the night was the performance by Masauko and Jamie.

I loved all the good vibes from almost everyone there.

And when the music was being played fro the lil bit toward the end, teh vibe was good.

It was definitely a great spot for a free night out!

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